Art as resistance

Amina Taylor
Press TV, London

Whilst the world watched on the apparent changing of the guard in US politics, from the Trump to the Biden era, Russian-born artist Andrei Molodkin was inspired to create his own symbolic riposte.

For a man whose creative path was ironically cast during two years of military service during the Soviet era, politics and politicians have become a well of inspiration — though those featured may not feel altogether flattered.

In a searing critique of political misdeeds, his latest work, The White House filled with the blood of US citizens, was projected on the exterior of the Trump hotel. For the original artwork, blood donated by American citizens pours through a clear acrylic sculpture of the White House.

Art has always had the power to inspire, to transform, and of course to critique but what happens when artistic endeavor needs political commentary.

With detailed works crafted using ink or a combination of technical materials — air compressors, pumps, plastic — Molodkin highlights politically significant words with oil and blood as literal fuel.

The artist reminds us of the Obama era, drone strikes, the destabilization and four years of Trump, or — as he calls it — "the true gruesome face of American politics, engorged with racism, violence and egotism" but is quick to point out Biden’s style is simply a more sophisticated version of the same beast.

Based mostly in France and working with collaborators, a political Molodkin feels his art may reflect the spirit of someone who will never take the side of the oppressor over the oppressed.

In a world where resistance takes many forms and speaking truth to power is still a risky path, perhaps art of this nature has a universal place.

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